The Public Theater Graphic |
So what does it mean to experience a play in "real time?"
Each play in The Gabriels trilogy opened in the night it was set. To accomplish this, Mr. Nelson was not finished writing these plays until shortly before they were performed in front of its first live audience. He updates lines and aspects of the show such as news events, the weather, and neighborhood activities. Mr. Nelson makes these changes in his shows up until the day the show is performed. What this does is create an intimate and real-time performing arts experience for the audience.
Michael Lee Photo of The Public Theater |
The trilogy follows the Gabriels, a family living in Rhinebeck, N.Y. The three shows occur in the family's kitchen while they prepare a casual meal. This starts as an easy conversation between close family members in the comfort of the center of their home. The show goes beyond family conversation to resonate with audience members and reverberate the thoughts and feelings of Americans.
Michael Paulsen with the New York Times spoke with Mr. Nelson about The Gabriels trilogy, and he explained, "I would hear conversations about the country- and how people's lives related to the country- in my living room with friends, and overhear them in restaurants and on the train, but not on the news or on television or from comedians... I thought theatre was a good place to do that."
The Public Theater Photo of The Gabriels |
A play so relevant in the moment couldn't hold its relevancy past that moment... could it? Though it may seem like these shows could be limited to a short shelf life, Mr. Nelson has found that his works resonate with audiences beyond borders and past election time. "When I wrote the first Apple play," Mr. Nelson says in his interview with The New York Times, "I wrote a note in the program that I considered it a disposable play, and I was convinced of that. But we took them on a tour of Europe, and what I learned was a lesson that most writers learn at a much earlier age: The more specific one is, the more universal one can be."
What a fascinating concept for a play; I'd never heard of this before! Great post!
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